SEARCH RESULTS FOR: Marilyn Manson
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(Vocals, b. 1969) Setting out to shock everyone, Brian Warner certainly succeeded. After assuming the name Marilyn Manson all members of his Florida-based band were required to adopt the names of female divas and serial killers. Industrially functional music grew increasingly melodic as time wore on, culminating in Antichrist Superstar (1996) and Mechanical Animals (1998). Like Rob Zombie ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

b. 1934, American One of the great mezzo-sopranos of the twentieth century, Horne studied with William Venard and dubbed the voice of Dorothy Dandridge in the 1954 film Carmen Jones. She was admired by Stravinsky, who invited her to perform in the 1956 Vienna Festival; she remained in Europe for three seasons at the Gelsenkirchen Opera. She returned ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1934 American mezzo-soprano After three years in Europe, Horne sang Marie (Wozzeck) in San Francisco in 1960, repeating the role in her Covent Garden debut in 1964. She often sang with Sutherland, notably as Arsace in Semiramide (Rossini) and Adalgisa in Norma (Bellini). She made her Metropolitan Opera debut in 1970 as Adalgisa. She sang many Rossini ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Alternative-rock guitarist Dave Navarro (b. 1967) was born in Santa Monica, California. After hearing Jimi Hendrix, Navarro began playing guitar at the age of seven and was in various bands in school. In 1986, he joined Jane’s Addiction on the recommendation of drummer Stephen Perkins, a childhood friend. Inspired by The Velvet Underground, Joy Division, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Guitar One magazine declared him a ‘modern-day master of the Telecaster’. In the 2007 Guitar World readers’ poll, his instrumental guitar tour de terror The Devil Knows My Name was named Best Shred Album of 2007. Also in 2007, he graced the covers of Guitar Player and Guitarist magazines, while in 2008, he was featured on the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal/instrumental group, 1986–present) When guitarist Richey Edwards disappeared/committed suicide in 1995 the end of the line seemed in sight for this band of Welsh Generational Terrorists. However, James Dean Bradfield (vocals, guitar), Nicky Wire (bass) and Sean Moore (drums) soldiered on delivering Everything Must Go (1996). Retaining the artistic integrity that was one of their punk-inspired founding principles ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Much derided by music (and fashion) journalists, goth rock is slow, introspective, gloomy and doom-ridden, with elements from hard rock and psychedelia, often with swathes of cold keyboards and angular guitar parts. The dress code was rigid: black clothes, big black hair and face made up to look deathly white. Critics often found the music ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

As the genre’s name so boldly implies, timing and image were both of critical importance to the realm of nu metal. In pure musical terms there was little to unite the scene’s leading exponents, save for the radical detuning of their instruments and a desire to distance themselves from such old-school hard rock favourites as Iron Maiden and Metallica. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

April California Music Awards Whilst their critical stock may have been low in other territories, it remained high in the Bay Area. This was confirmed when Green Day won eight statuettes at the annual California Music Awards (formerly the Bammies) held in Oakland on 24 April, hosted by Huey Lewis. Warning won Outstanding Album, and Outstanding Punk Rock/Ska ...

Source: Green Day Revealed, by Ian Shirley

West-coast city Seattle was the unanticipated epicentre of 1990s music as grunge, the biggest ‘back to basics’ movement since punk, shook traditional American rock – Nirvana was to enjoy iconic status for a spell until Kurt Cobain’s death. In the UK, the dance-rock of The Stone Roses, a holdover from the late 1980s, put Manchester briefly ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Country music and gospel have always been close partners, since many gospel acts come from the American South, and Nashville, the home of country music, lies in the heart of the Bible Belt. Numerous influences abound within the Church, stretching from traditional shape-note singing that goes back several hundred years, to today’s contemporary and Christian ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Buddy Holly helped define and popularize rock’n’roll in its earliest days, when its future was in doubt and its existence was under attack. Strumming a Fender Stratocaster, he brought an extra dose of country to a sound that was still closely related to pure blues and rhythm and blues. He blazed a trail for white artists who, unlike ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal/instrumental group, 1994–present) Butch Vig, Steve Marker and Duke Erikson were already successful producers and musicians – Vig producing Nirvana’s Nevermind (1991) – before they recruited Scottish singer Shirley Manson to form Garbage. Pristine intelligent rock of eponymous solo album (1995) spawned monster international single ‘Stupid Girl’. Follow up Version 2.0 (1998) was more electronic but an equally ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Zhôrzh Be-za’) 1838–75 French composer When Bizet died at the age of 37, he was considered a failure by the French musical establishment. He had had several operas produced in Paris, but none of them had been wholly successful; now his latest work, Carmen, had caused a scandal. Bizet’s reputation was at its lowest ebb, but already ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1895–1963, German A composer, solo performer, conductor, teacher and theorist, Hindemith’s work boasted an eclectic array of musical styles, ranging from the expressionism of his first three one-act operas – now all but forgotten – to the polyphony of his later neo-Baroque output. The first signs of this transition could be heard in Cardillac (1926 ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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